Remy Martin

Dr Remy Martin

Senior Lecturer in Music
Academic Quality Lead
London College of Music

Remy is Senior Lecturer in Music and sits on the London College of Music executive committee as Academic Quality Lead. He is an active interdisciplinary researcher and is currently presenting and publishing on creativity, musical consciousness and aesthetics. His work combines the analytical, theoretical and empirical (notably the use of phenomenological interviews with musicians and listeners). Remy is co-author of a third edition of the internationally renowned Rock: The Primary Text: Developing a Musicology of Rock (Routledge) with Allan F. Moore. In his PhD thesis –supervised by Professor Allan F Moore (University of Surrey) and Dr Nanette Nielsen (University of Oslo) – he examined ‘authenticating’ popular music listening experiences drawing from musicology, phenomenology, social theory, ethics and embodied cognitive science.

Previously, Remy led the teaching of popular music analysis and practice at Leeds Conservatoire, where he received the 2018 ‘Most Inspiring Teaching’ award, and at the University of Surrey. In 2021 he moved to Norway to undertake a research fellowship at the RITMO Centre for Interdisciplinary Studies in Rhythm, Time, and Motion (University of Oslo), a Norwegian research council centre of excellence. There he also taught and supervised at MA and PhD level. Remy has given workshops and masterclasses internationally as well as invited talks on higher education music pedagogy. He has served as external expert advisor on several programme validations and as External Examiner and External Award Examiner. Before turning to musicological study, Remy specialised in guitar performance and has gigged as a rock, pop, folk and country guitarist.

  • Qualifications

    • PhD
    • MMus (Dist)
    • BMus (First Class)
  • Memberships

    Nordic Society for Aesthetics (NSAE)
    International Association for the Study of Popular Music (IASPM)
    Associate Fellow of the Higher Education Academy (AFHEA)

Research

  • Research and publications

    Martin, R., & Nielsen, N. (2024). Enacting Musical Aesthetics: The Embodied Experience of Live Music. Music & Science, 7. https://doi.org/10.1177/20592043231225732

    Martin, R. (2024, March 21). Mindsurfing Panel Discussion [invited speaker]. Mindsurfing Workshop, University of Oslo, Norway.

    Martin, R. & Martin, A. (2024, Apr 11–14). Collaborative Songwriting and Musical Consciousness: Affect, Time, and Materiality in Creative Encounters [Conference presentation]. IASPM Conference 2024, Philadelphia, United States.

    Martin, R. (2023, November 2–4). Aesthetic Resonances: Senses of Self in Rhythm, Musical Time, and Space [Conference presentation]. Second International Conference on Beauty and Change. Turin, Italy.

    Martin, R. (2023, October 26). What can one learn from naturalistic concert research? Panel Discussion [Invited speaker]. MusicLab Copenhagen Special Collection Launch Event.

    Martin, R. (2019). Authenticity: An Experientialist Aesthetic (doctoral dissertation). University of Surrey.

    Moore, F. & Martin, R. (2018). Rock: the Primary Text: Developing a Musicology of Rock (3rd ed.). Routledge. https://doi.org/10.4324/9780429490170